In
Conversation: Christopher Eccleston
Home,
Manchester Sunday 6th May 2018
Review by Brian
Gorman
“It's
Manchester; I thought it was gonna be raining!” says Christopher
Eccleston, in that famous, gruff, Salfordian accent. On one of the
hottest days of the year, the star of some of TV's grittiest,
uncompromising, and groundbreaking drama (Cracker, Hillsborough, and
Our Friends In The North among them) took a seat, and effortlessly
entertained his attentive and appreciative audience. In conversation
with Dr Kirsty Fairclough of The University of Salford, the 54 year
old actor was in town as a guest of The Pilot Light TV Festival, and
fresh from a highly-acclaimed RSC production of MacBeth currently
running in Stratford-Upon-Avon. Looking every inch Shakespeare's
sinewy, coiled spring of a warrior, Eccleston was a pretty
fearsome presence, with that famous chiselled profile, boxer's physique, and awesome
Roman nose. Admitting he had always been a bundle of restless energy,
you could certainly imagine him in the great classical roles, and it
was good to hear that he wants to do more live theatre, following a
hugely successful career in television and film.
In conversation with Kirsty Fairclough (photo: HOME)
Eccleston
is very proud of his roots, and credited his family with providing
him with a secure upbringing, and a solid set of values. Raised on a
poor housing estate, the youngest of three children, he remembered
the huge impact that television had on him. His parents regarded the
box as an educational tool, and watched many a quality drama, and
documentary. Soaps were ignored, as were the everyday
lowest-common-denominator fodder. Though not particularly academic,
Eccleston was always curious, and determined to question the world
around him. Reflecting on his drama school years, he was obviously
very concerned that he would probably have never had the opportunity
of an acting career if he was starting out today. After graduating
from the Central School of Speech and Drama, he initially struggled
to find acting work for some years, until his big break came as Derek
Bentley in the 1991 film 'Let Him Have It'. He remembered being
inspired by fellow cast member Tom Bell, who was impressed at the
young man's levels of concentration. Eccleston went on to star in
Danny Boyle's low budget thriller 'Shallow Grave', and a regular role
in TV's 'Cracker' raised his profile even further. Eccleston credits
writer Jimmy McGovern for much of his success, and felt very strongly
that an actor should seek to do good work, and not just go after the
money. The actor was very candid about some of his more recent roles,
and regretted going against his instincts to star in 'G.I. Joe' and
'Thor: The Dark World'. He jokingly blamed his agent for persuading
him to do the high-paying, blockbuster films, and enjoying their
percentage of his fee, while he would always know that the DVDs were
out there.
Asked
by an audience member about working with the notoriously volatile
Nicholas Cage, Eccleston was very complimentary about his co-star of
'Gone In Sixty Seconds'. He told of one instance when Cage turned up
on a hugely expensive motorbike, having bought it on the spur of the
moment on his way to the set.
There
were a number of obvious Doctor Who fans in the audience (judging
from the TARDIS dresses, Tom Baker t-shirts, etc.), and he seemed
happy and relaxed to talk about his time on the show (which he left,
after only one series, back in 2005). Never having been a fan, he'd
been intrigued to hear that the show was coming back, and was to be
written by Russell T Davies, whom he admired after they'd worked
together on the epic religious TV fantasy 'The Second Coming'. Trying
to get a handle on the character, he'd been out running when he
realised that The Doctor would be a pretty lonely character after
becoming the last of his race (The Time Lords). With a huge grin on
his face, Eccleston proudly stated “And, I can do lonely!”. He
regretted his overall performance, though, admitting that he never
felt comfortable with the comedy elements, and that he'd played the
part “too broad”. No mention was made of the circumstances under
which he left the show, but he did remark that he considered every
actor to play The Doctor as having been stronger in their second
season (apart from the great Tom Baker, who hit the ground running).
He'd taken the role as he felt he needed to broaden his range, and
prove that an actor should be able to play all kinds of characters.
Taking his life in his hands, with a mischievous twinkle in his eye,
he said “We all know Doctor Who is for kids, don't we?” Following
a low murmur of good-natured discontent, he pushed his luck further
by saying “Come on, it is, isn't it?”
Eccleston
wears his heart on his sleeve, and has often been criticised for
being outspoken, prickly, and rather straight-laced. However, he was
on excellent form here, and genuinely seemed to be enjoying himself.
He indulged one young fan (Richard Lloyd), when demonstrating a laser
engraved portrait of himself as The Doctor, by shining the light from
his mobile phone through the piece, and delighting the audience when
his face appeared on the white surface of his chair.
A discussion about his current role as MacBeth saw the actor energetically striding about the stage to describe the RSC set, and the fact that a huge clock, counting down to zero (and the end of his character's life), was visible at all times. This necessitated the actors getting their timing spot on, but Eccleston said he was never aware of the countdown during the performance, and it was up to MacDuff to kill him either slowly or quickly at the end.
The Doctor appears! (photo: Matthew Rimmer)
Eccleston as MacBeth (photo: RSC)
A discussion about his current role as MacBeth saw the actor energetically striding about the stage to describe the RSC set, and the fact that a huge clock, counting down to zero (and the end of his character's life), was visible at all times. This necessitated the actors getting their timing spot on, but Eccleston said he was never aware of the countdown during the performance, and it was up to MacDuff to kill him either slowly or quickly at the end.
This
was a passionate, charismatic, yet relaxed and immensely good
humoured Christopher Eccleston. A man with his feet firmly on the
ground, and an undiminished energy and desire to do good work. “I
don't want to do rubbish. But, sometimes, I've ended up doing rubbish
when I've gone against my instincts”. He insisted that an actor
should look for good writing, and that it would always show them in a
good light. His nightmare, he joked, would be for him to be forced to
watch a DVD double bill of 'Thor: The Dark World' and 'G.I. Joe'!
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