Written & directed by Daniel
Thackeray
Albert’s Chop House, Manchester
Touring
Review by Brian Gorman
As the title suggests, we are in the
1980s, and disco king Giorgio Moroder’s song (with vocals by The Human League’s
Phil Oakey) perfectly evokes the spirit of the era. Personal computers have
become a reality, and two of the industry’s entrepreneurial giants are meeting
to discuss the future. Based on real-life events, Daniel Thackeray’s play
(based on an idea by Lass Productions’ Gareth Kavanagh) brings us the eccentric
Sir Clive Sinclair (inventor of the first pocket calculator, the first
mass-market home computer, and the revolutionary-yet-ultimately-doomed C5 motor
vehicle) reeling from a series of body blows to his business. Under financial
pressure, Sir Clive arranges to meet his arch rival, Alan Sugar, with a view to
selling the sharp-suited ex London barrow boy the Sinclair trademark and
computer business. It’s a great premise for a play; two completely contrasting
personalities meeting for dinner in a Chinese restaurant, with the future of
the home computer market at stake. Thackeray is ideally cast as the gangly,
awkward, prim and proper Sinclair, and the sparks really fly when Matthew
O’Neill’s bullish, lowbrow, no-nonsense Sugar arrives to pick over the bones of
the great man’s empire. With his slick-backed hair, crumpled pinstriped suit,
and unshaven appearance, O’Neill plays the oafish, yet sharp-minded future
business guru (and knight of the realm) perfectly.
The action is contained at the
restaurant table, with a few snippets of hilarious 1980s tv ads on a projection
screen. Thackeray’s direction concentrates almost entirely on the two
businessmen’s conversation, eschewing any temptation for histrionics or broad
theatrics. This works well, as the men engage in a mental battle for supremacy,
with Sugar’s clear-sightedness and bulldozer approach gradually wearing down
the rather old-fashioned and hopelessly out-of-touch Sinclair. There is a sprinkling
of nice comic moments, mainly at the expense of Sugar’s table manners and lack
of sophistication in contrast to Sinclair’s gentlemanly demeanour. A delightful
Jess Lee’s tiny, bustling waitress serves to further highlight the men’s
distinctive characters; Sugar’s laddish, cheeky chappie and Sinclair’s old
school charm. There’s much here for computer geeks, with plenty of in jokes
about the home computer industry (much of which, I confess, went over my head,
but had many of the audience giggling), and the two lead actors make for a
great double act.
Reviewed on 14.07.15
At Buxton Fringe Festival until 22nd
July
Tags: Together In Electric Dreams,
Daniel Thackeray, Matthew O’Neill, Jess Lee, Gareth Kavanagh, Lass Productions,
Sytheplays, Clive Sinclair, Alan Sugar, Albert’s Chop House, Manchester
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